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Giovanni Battista Piranesi (Italian, 1720-1778), Veduta del tempio della Sibilla in Tivoli. Etching, on laid paper, with margins, 425 x 635 mm.
see more of steven holl’s watercolors and diagrams here:
Cesar writing the De Bello Gallico.
Le Roman D’Amour. Delphin Enjolras (French, 1857-1945). Pastel on paper.
Enjolras received his formal artistic training from Gérard, painting in oils and pastels. Enjolras was a regular exhibitor at the Sociétaire des Artistes Francais, to which he was elected a member in 1901. Enjolras can be classed as a painter of beautiful ladies, a subject matter which was highly prized in the 19th century. His subjects are often revealing and intimate moments of society beauties.
Pencil on paper
42 x 59 cm
1. Ashore with Tide’s Flow
2. Sea Rock 02
3. Sea Rocks 01
general apathy toward college inspired by a severe lack of confidence in my own future and a powerful will to desist loan acquisition immediately
Giuseppe Agnello Sculptures
Sicilian sculptor Joseph Lamb Gives new meaning to the expression “one with nature.” His surreal sculptures of bodies with roots, branches, or tree trunks emanating from the heads, feet, or chests, are at once intriguing and disturbing. Working in plaster, polyester resin, clay and bronze, the Palermo-based artist plays with the idea of metamorphosis, much of the time incorporating tree-like morphing, though not limiting Himself to vegetation, as in the case of His Body clouds (Clouds Bodies) or zipped up bodies in His Body and soul (Body and Soul).
Lamb currently Has an exhibit of 40 works titled Memories: Lateral and Oblique Views at the Carlos V Tower in Porto Empedocles, Sicily through the end of the year.