definitelynotlow:

I support boobs and weed, and you should too.

definitelynotlow:

I support boobs and weed, and you should too.

(Source: truthonpot.com, via supersugoiautism)

(Source: simulatedcity, via erarg)

unclefather:

kingcheddarxvii:

aidn:

breakingnews:

Buckingham Palace guardsman under investigation after video shows him pirouetting on duty
ITV News: A Grenadier Guard has been caught on camera busting some moves outside Buckingham Palace, but the soldier is expected to receive disciplinary action for his dancing.
Read more here

let him dance

This sounds like a forgotten Monty Python sketch

girls just wanna have fun

unclefather:

kingcheddarxvii:

aidn:

breakingnews:

Buckingham Palace guardsman under investigation after video shows him pirouetting on duty

ITV News: A Grenadier Guard has been caught on camera busting some moves outside Buckingham Palace, but the soldier is expected to receive disciplinary action for his dancing.

Read more here

let him dance

This sounds like a forgotten Monty Python sketch

girls just wanna have fun

centuriespast:

Evensong
by Henry Mark Anthony
Date painted: 1873
Oil on canvas, 145.5 x 212.7 cm
Collection: National Museums Liverpool

centuriespast:

Evensong

by Henry Mark Anthony

Date painted: 1873

Oil on canvas, 145.5 x 212.7 cm

Collection: National Museums Liverpool

(via laclefdescoeurs)

getyourspoons:

Don’t cross blonde Tommy Wiseau.

getyourspoons:

Don’t cross blonde Tommy Wiseau.

(via ammnontet)

bukkakehokage:

girl: spank me daddy

me: I am not ready to be a father

(via magicalgirlmacy)

(Source: fucksnot, via modestmemory)

hierarchical-aestheticism:

Singer Laren, Jan Sluijters

hierarchical-aestheticism:

Singer Laren, Jan Sluijters

(via catonhottinroof)

arsvitaest:

Theodore Major (1908–1999), Pit at Wigan, oil on canvasSalford Museum and Art Gallery

arsvitaest:

Theodore Major (19081999), Pit at Wigan, oil on canvas
Salford Museum and Art Gallery

archatlas:

La Factory - Offices in Boulogne Mateo Arquitectura

When addressing this project for an office building, we started off by thinking about the entire city block as a series of buildings with spaces between them to introduce light and air into the empty space. In this way we began to see the building as a mass that formed Rue Emile Zola, like a complex volume. We had some prior experience with this type of building in terms of dimensions, depth, and so on, that went almost automatically into the drawings and models. I always start this way, with a very abstract volume as a base.

blastedheath:

Farouk Kondakji (Syrian, b. 1958), Untitled , 2011. Acrylic on canvas, 130 x 160 cm.

blastedheath:

Farouk Kondakji (Syrian, b. 1958), Untitled , 2011. Acrylic on canvas, 130 x 160 cm.

(via alongtimealone)

archatlas:

RD House (República Dominicana House) VASHO

blastedheath:

Mohammad Imran Qureshi (Pakistani, b. 1972), They Shimmer Still, 2013. Acrylic and gold leaf on canvas, in two parts, each: 274.5 x 206.2 cm.

blastedheath:

Mohammad Imran Qureshi (Pakistani, b. 1972), They Shimmer Still, 2013. Acrylic and gold leaf on canvas, in two parts, each: 274.5 x 206.2 cm.

vjeranski:

Agnes Martin (American, 1912-2004), Untitled, 1995. Watercolour, gouache and graphite on paper.

vjeranski:

Agnes Martin (American, 1912-2004), Untitled, 1995. Watercolour, gouache and graphite on paper.

(via blastedheath)

blastedheath:

Wu Guanzhong (Chinese, 1919-2010), The Qianling Mountains, 1972. Oil on board, 46 x 46 cm.

blastedheath:

Wu Guanzhong (Chinese, 1919-2010), The Qianling Mountains, 1972. Oil on board, 46 x 46 cm.

(via opthalite)